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Thursday, 21 January 2016

I was a fragile, bullied little girl with a heart condition until I grew up to become Jessie J: The singer on her remarkable rise to fame

I’ve never liked being kept in the dark when it comes to health. If I’m going to get sick, tell me. If someone’s ill, tell me. If my results are not normal, tell me; ever since I was young I have liked to know what is going on, so I can prepare and be strong to deal with it.

The very first time that something happened was when we were in Epping Forest. We were going back to the car after a day out and my dad said, ‘Race ya,’ so we started running but I collapsed.

Because I could be quite dramatic and silly, my dad thought I was just messing about. But I couldn’t move and I couldn’t breathe.


Altered image: Pop star and Voice judge Jessie J today, as far cry from her childhood as a sickly girl

On March 27, 1988, I was born on the floor, somewhere between my parents’ bed and the bedside table, at home in Seven Kings, Essex. I had the umbilical cord around my neck, so I was really purple when I came out.

My sisters, Hannah and Rachel, were both there – it was a full-on family experience – and I was named Jessica Ellen Cornish. To be honest, there’s no real reason for the ‘J’ in my stage name (I always feel like I disappoint people when I say that).

I had a happy, adventurous childhood – running around in the rain, stage school, sleepovers, and camping in the garden to ‘toughen us up’. My dad would take me and my sisters swimming, and we would go to Wimpy afterwards for chips and milkshakes. We’d go to Corfu or Majorca once every five years, maybe, but we’d go to Cornwall each year and stay in a caravan.

I was around seven years old that day in Epping Forest with my dad. He realised it was serious, so he picked me up and we drove to the hospital. I was afraid and confused. When you’re fine and then all of a sudden something like that happens and you don’t know why, it can be terrifying.


Early days: Jessie as a secondary school pupil

My dad has a heart condition, Wolff-Parkinson-White syndrome, so he was always great at explaining what it was I was feeling when I first started to experience it. Like him, I have an irregular heartbeat.

The worst thing when you’ve got a heart problem is having to do running tests with only a bra on when you’re just starting puberty. When you’re young and there are loads of doctors poking you and prodding you, embarrassment overtakes fear.

There were times when it was painful though. For a lot of my childhood I was on beta-blockers (drugs which try to help your heart get into a proper rhythm). But the side effects meant I had low blood pressure. I remember collapsing a lot and having seizures. I was a sickly, skinny girl who had a slight green tinge to her skin because of the drugs and who was always in and out of hospital.

There would be times when I’d be acting normal and then I’d just collapse. It was only then that people would realise I wasn’t well. I suppose I was good at covering it up and I know I’m very good at that now.

Though I was in hospital often, I was always around kids who were way sicker than I was. Luckily, I suppose, I was never in long enough to have to make a life in hospital, to make friends and go to school there.

I wrote Big White Room about a time when I was 11 years old and in Great Ormond Street Hospital opposite a boy about the same age. I remember waking up in the night and hearing him pray because he was having a heart transplant the next day.

It was the first time I’d really seen prayer or religion so close up and actually seen someone asking for his life to be saved. He was on his knees, with all these wires hanging out of him, praying. He passed away the next day. Every time I sing the song, in my head I dedicate it to that boy.

At stage school I hung out with Adele - at lunch we'd have a little jam together

While most kids at primary school were fine with me, there were some who were horrible. My skin was green and I looked ill: I had sunken eyes and big teeth and a massive fringe.

My ponytail was about four strands of hair. Sad times.

There was a handful of kids who were mean. Bullying became something I needed to write a song about. Who’s Laughing Now was honest: kids really did pull my chair out from under me, they did throw stones at my head. The bullying was never horrific; I’ve never been beaten up, for instance. Sometimes the words hurt more than the bruises.

But I had the most amazing mum and dad and family I could go home to. Not every kid does.

I went to Mayfield Secondary School, down the road from our house. Both my sisters were head girl. But certain things don’t soak into my brain. I’m intelligent, but I’m not academic. I’m not someone who can work out massive sums. I remember I got four per cent in my geography exam, and to this day I struggle to find London on the weather map.

I didn’t sing in secondary school because I didn’t feel supported by the school – which is why I guess I have never been invited back.


Rising star: A young Jessie singing while on holiday in Cornwall


Family affair: A young Jessie in 2003 with her parents, Rose and Stephen. She grew up in Essex

The music teacher in my opinion should not have been teaching. I feel he didn’t know what he was talking about. And he wasn’t a very nice guy.

I wasn’t allowed to be in the school choir, which he was in charge of. Some of the mums said I stuck out like a sore thumb because I was so loud – not the nicest thing to hear when you’re 11. I was so upset. I enjoyed secondary school, but if I’m honest I just wanted to get through it and do what I really loved.

The very first words I spoke were ‘jam hot’, from the Beats International song Dub Be Good To Me. I was just over a year old apparently. My sisters sang it constantly and I just picked up the easiest bit to sing back.

My first recorded performance was when I was three years old: I sang Twinkle, Twinkle, Little Star on a tape recorder at a Cornish caravan park.

I never stopped singing – I sang everywhere I went.

The Wenn Stage School was at the end of our road in Seven Kings and I went there several times a week. I started with ballet but I ended up being there every day doing everything – drama, singing, jazz. The lot.

I was also signed up to a theatrical agency, and got parts in adverts and, eventually, the West End. I got £50 for a matinee and £75 for an evening show.


Stateside: Jessie performing in LA for the first time

When I was 11, I played Brat in Andrew Lloyd Webber’s Whistle Down the Wind. One night, I was in the middle of belting out my song When Children Rule the World and I tripped into the orchestra pit.

I did the most amazing backflip – sheet music flew into the air and I fell onto the conductor, who just kept going through sheer shock. That’s how my theatre nickname was created: Brat Pitt.

But it was after getting that role that I realised my hobby could become my career.

I didn’t feel my singing had been encouraged at the local secondary school, but when I auditioned for The BRIT School for performing arts in Croydon, I fell in love with the freedom of it all. I was so happy when I got in. I was ready to work hard and learn more about what I loved.

I had all sorts of friends. I knew Adele; we were in the same year. We used to hang out at lunchtimes and have a little jam. We’d sing songs we’d written or perform whatever we were working on.

When Adele started to take off – BRIT old girl Amy Winehouse was already huge by then – it was amazing to have the opportunity to watch and learn.

After being spotted at London Bridge station on my way to The BRIT School I became a hair model for Vidal Sassoon. I had every style going – from a mohican to a mullet, blue, green, red, you name it.

It was weird because there were buses going down Oxford Street with my big face on them. I might cringe a bit now, but I used that money for singing lessons and I got to see a lot of the world – Japan, Spain Germany – even if I did have silly hair.

I was working hard – travelling across London to do my A-levels, modelling, singing in a girl group. I even had a weekend job in Hamleys. And it was at Hamleys that I started to suffer with pins and needles in my right hand and foot.

I ignored it for a few minutes, then realised it was getting worse.

I phoned my dad, and he told me to go straight to the hospital. I thought I’d be fine, but then I started getting pains in my right leg. I thought I was having a heart attack – a really slow one. I couldn’t breathe in.

I don’t know how I did it, but I managed to get the train home and went to my local walk-in GP clinic. I’d started having really bad shooting pains in my chest, I couldn’t feel my right hand, my mouth wasn’t moving much on my right side and my right eye was going blurry.

I sat with the doctor and he said: ‘I don’t want to scare you, but I’m calling an ambulance, because you’ve had a minor stroke.’

I was like, ‘F***, that’s dramatic! I thought I had a cold!’

At the hospital, doctors came in and prodded my leg, but I couldn’t feel a thing. It was really, really scary. I wasn’t a little girl any more, and at 18 I was a lot more aware of what was happening – very different from when I was young.


Judging panel: Jessie with her Voice co-stars Tom Jones (left) and Will.I.Am


Last word: Jessie in the video for her bullying riposte Who's Laughing Now

I was in hospital for about two and a half weeks. It meant I had to leave The BRIT School four months early.

Thank God I’d worked my backside off before then, because I got three distinctions and didn’t need to retake any of my exams.

It took months to recover from my stroke. Once I was up and about, the weight I had gained started to drop off. It just took a while for me to regain my strength and rebuild a lot of muscle loss.

Apart from my right side being achy when I am tired and a trapped nerve I have had under my arm ever since, I’m fine.

My health isn’t as bad now as it was before. Nowhere near. But there are still moments when I have to make sure I’m looking after myself and not pushing myself too hard. I have to be realistic.

So now when I’m tired I have to rest, I take vitamins and look after myself as much as I can. It’s hard to remain well 24/7 and when I do get sick, I will always be letting people down because I have work booked in every day. It’s the pressure of knowing you can’t be replaced. If my drummer is ill, someone else can come in for a few shows.


the social music app that lets fans sing karaoke with Jessie J

Smule song ca Jessie J tạo ra hàng triệu lượt xem video trên YouTube.

Jessie J has performed with a host of musicians in her time: Dizzee Rascal, Ariana Grande, 2 Chainz, Queen, David Guetta, Mary J. Blige, Tom Bleasby… Wait, Tom who?

Tom and Jessie never actually met, though. In fact, Bleasby was just one of more than 112,000 people who sang Jessie’s song Flashlight with her, as part of a promotion in music app Sing! Karaoke.

This was the latest success story for the app’s San Francisco-based developer,Smule, and its Artist Program. The app allows musicians to record videos singing one half of a duet, leaving space for fans to record their own contributions then share the results online.


"Computers have completely transformed the musical landscape" - Metronomy and the state of digital music
‘Wow, she can really sing’

“We wanted to have a new way for artists to engage with their fans, who are actually participating,” says Jeannie Yang, Smule’s chief product and design officer.

“It’s her song that she’s singing, using the app, so you get a different version of it than you would on iTunes: it’s very raw and affecting. For the fans, it’s like ‘wow, she can really sing’ because she belted it out.”

Smule may not win the same media attention as Spotify, Apple Music or Tidal, but it is one of the quiet success stories of the digital music world.

The company’s collection of music apps – Sing! Karaoke, Magic Piano, AutoRap, Guitar! and Ocarina – now have more than 25 million monthly active users singing, playing and rapping some 10m songs a day.

Smule charges £2.29 a week, £5.99 a month or £29.99 a year for unlimited access to its apps’ catalogue of music. The business model has helped annual revenues rise from $20m in 2013 to $40m (£25.3m) last year.

“We’re a social network that’s as much about creation as consumption. It’s not a karaoke company per se: we’re building a network around music and performance,” says chief executive Jeff Smith.

Smule is about more than fans duetting with famous artists. The company recently launched a feature called “group video” for the Sing! Karaoke app, which automatically turns footage of groups of singers around the world performing the same song into single, edited videos.

Smule did not release any new apps last year4, opting instead to work on new features for its existing apps, including group video.

However, it’s the artist programme that is putting Smule on the music industry’s radar - particularly since the Jessie J promotion. The nature of its apps mean the company does not pay royalties to labels for the master recordings of songs but focuses instead on royalties to music publishers for the compositions.

“We count streams and we pay on streams, and the royalty that we’re paying on publishing is probably twice what [US streaming music service] Pandora will pay as a percentage of sales, so it’s legit, and it’s a significant source of income for the folks that have the talent to write songs,” says Smith.

“Performers are great, but writers are great too ... there’s something really special about tapping in to these writers and empowering them, and celebrating them.”


‘Wholesale transition’

Smule’s apps are tapping into the same desire for an audience that fuels people to enter TV talent contests. Yet the company is keen to build more of a community than that suggests.

“I think we’re seeing a wholesale transition in media: a democratisation of the process. X Factor and the Voice was a logical venue to be introducing new talent, but it’s not the destination. The pendulum is swinging more and more towards individuals discovering individuals organically,” says Smith.

Smith has a theory about what’s happening on Smule, but also on platforms such as YouTube and SoundCloud where users can upload musical performances – or, indeed, vlogs and other forms of entertainment.

“I think people want something fresh and authentic. They want it to be real,” Smith adds.

The Voice judge Jessie J steps from bed to stage after mysterious surgery


Jessie J performs at the Wireless Festival this week in London. Picture: Getty

JESSIE J has recovered to step from her hospital bed back on to the stage to perform in the UK after being struck down by a mystery illness that required surgery.

Following days spent hooked up to medical equipment, the British artist and coach on The Voice Australia seems to be getting back on her feet, strutting her stuff at ­Wireless Festival in London.

Two weeks ago the ­songstress, whose health problems have been well documented, shocked fans around the world by posting images of ­herself to social media looking clearly unwell.


Picture: Getty


Picture: Getty


Picture: Getty


Picture: Getty


Singer Jessie J in hospital recovering from mystery surgery.

The 27-year-old suffered a stroke at 18 and has an existing heart condition but has remained silent on the cause of her latest incident.

In a post to her Instagram account, J confirmed she had an operation but said it was not to do with her heart or her voice.

Channel 9 have also refused to give details of her illness.

“I had an operation yesterday so need to rest,” she said in a comment.

“I won’t be saying what for so PLEASE don’t keep asking me or harassing my close ones on here or anywhere for information. It’s personal and I know you can ­respect that.

“And for the record it’s not my heart or my voice. My heart and voice are FINE,” she wrote.

The pop star said hospitals had been her “secret second home” her entire life.

While she has been silent on the cause of her latest hospital visit, J has kept worried fans up to date on her recovery with detailed posts to social media.

“I’m out of hospital. Still very fragile but much better,” she posted to Instagram.

After being forced to cancel a series of concerts in Europe, J looks to be back on track to continue touring her latest release Sweet Talker with upcoming dates in Lebanon and Finland.

The singer has been juggling a hectic touring schedule with her first role on The Voice Australia.

Her upfront attitude and insistence on playing by her own rules has led to plenty of ­on-screen tension with her fellow coach Delta Goodrem.

In the latest confrontation, Goodrem told J “I’m going to kill you,” after convincing a contestant to choose Benji Madden as his coach.

According to viewers, and coaches it’s a tired but longstanding trend of pitting women against each other for publicity.

“I’m so a believer in girls supporting girls,” Delta Goodrem said

The singer queried why nobody asked Ricky Martin and the Madden brothers if they don’t like each other.

The public have been making their displeasure of the female catfighting clear, with many stating they believe it’s a marketing ploy.

Ill Jessie J pleads with fans, “PLEASE don’t keep asking me or harassing” over mystery op



Pop star and former The Voice coach Jessie J has left her fans worried about how she is this week after posting a video to Instagram along with a heartfelt message relating to the fact that she’s undergone surgery.

The video – in which REM’s Everybody Hurts plays as we see Jessie ‘before and after’ her op – features the singer putting on surgical stockings, which are designed to prevent blood clots, alongside a short clip which shows her apparently shortly after she awoke from a general anaesthetic.

Though Jessie’s first few words are hard to make out, she may have said, “I love you so much,” however, it’s clear that she then says, “I’m ok” while giving a thumbs-up and a weak smile.

But of course, as Jessie has a history of heart problems, many are speculating that she had some form of surgery that relates to that, however, in her Instagram message, she insists it is not heart related and wrote, “For the record, it’s not my heart or my voice.”

Jessie also implored fans not to bother trying to find out what the operation was for, saying “It’s personal”.

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Yesterday, she wrote, “I’m going to be offline for a few days and I wanted to show you why…

“I don’t often share personal stuff (especially about my health) anymore – I just get on with it secretly – but I wanted to share with you before someone else might and it gets twisted and exaggerated into something different or worse.”

She continued, “Just know I am ok… I had an operation yesterday so need to rest.

“I won’t be saying what for so PLEASE don’t keep asking me or harassing my close ones on here or anywhere for information.

“It’s personal and I know you can respect that.”

However, her message became emotionally charged when she added, “I want to take a moment to send a virtual hug and kiss out to anyone in pain or suffering at the moment.

“There is always someone worse off than us and in moments like this, I pray for you all.”

About JESSIE J


No matter where she is or what she does, Jessie J stands out. There's nothing typical about her. In person and on stage, she's got a spunky panache, but it's laced with a timeless elegance. Musically, she can just as easily echo Motown soul as well as she can nod to nineties hip-hop. Blessed with an astounding voice and natural knack for a hook, she redefines what's possible within pop as she upholds its traditions. In other words, Jessie J always remains one-of-a-kind. That's why she's quickly become the consummate 21st century superstar and a palpable and powerful pop culture force. In 2011, the world first took notice of the UK-born singer and songwriter in a very big way. Her full-length debut album, Who You Are [LAVA], heralded the songstress's arrival as a worldwide icon. It debuted Top 15 on the Billboard Top 200, and it generated an astounding six Top 10 smashes at radio. "Price Tag" [featuring B.o.B] went platinum stateside and seized #1 in 18 major territories. Then, "Domino", her biggest U.S. hit to date, took flight on the charts. The track went on to achieve double-platinum status and become a ubiquitous anthem around the globe. To date, her album sales exceed 3 million and single sales surpass 20 million and counting. Along the way, she received the prestigious BRIT Award for "Critic's Choice". It's an honor previously held by the likes of Ellie Goulding, Florence + the Machine, and many more. In addition, the BBC crowned her with the high honor of Sound of 2011. She even received a Grammy Award nomination in 2012. Fans and tastemakers continued to wholeheartedly embrace Jessie J as she acted as the 2012 London Olympic Games Ambassador. 2014 sees her continue to stand out and set the pace though. In July, the first single from her forthcoming sophomore album arrived with a bang—literally. Jessie J teamed up with rising diva Ariana Grande and rap's reigning queen Nicki Minaj for "Bang Bang". It's a blockbuster anthem, combining Jessie J's inimitable delivery, Ariana Grande's massive range, and Nicki Minaj's deft wordplay. As soon as "Bang Bang" dropped, the charts exploded. Immediately, the track captured the #1 spot on iTunes Overall Top Songs Chart and reached Gold status within weeks of release. It perfectly set the stage for the October 14th release of her next LP, Sweet Talker, which will also undoubtedly change the game yet again. Ultimately, there's nobody quite like Jessie J, and that's a very wonderful thing.
 
 
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